ZBRUCZ

Location: Maribor, Slovenia

Year active: 2023

Members: Alex Češek (vocals), Denis Hornosum (guitars), Julian Lavrič (guitars), Kristijan Matjašič (bass), Urban Saletinger (drums)

Label: Self-released

Related bands: Propad

FFO: Hiretsukan, Mahria, Obroa-Skai, The Worst Is Yet To Come, Heart On My Sleeve, 125 Rue Montmartre, Vales, Tarkovsky, Dollores

zbrucz is a four-piece band that is freshly formed in Maribor, Slovenia in 2023. Their first lo-fi demo "00" came out in August of that year, followed by their subsequent tours. This year, they self-released their full-length album "Riparia riparia", mixed and mastered by Matic Medja and a magnificent artwork done by Klemen Seliškar.

The album takes a refreshing 20-minute take of late '90s and early 00's emo/screamo, with occassional emoviolencey blast beats, often reminiscing other skramz bands such as The Worst Is Yet To Come, Tarkovsky, Dollores, Mahria, Hiretsukan, Heart On My Sleeve, etc. The album of its entirety is sung in English and Slovenian.

The album opens with an intense burst of energy of '2020 by Shin Guard', combining raw vocals with intricate guitar work. The song sets the tone for the album, showcasing Zbrucz's ability to blend aggression with melody, along with its poetic and confessional lyrical themes, with 'Forty Minute Train Delay' capturing the frustration and anxiety of modern life, 'Flood of Unloved' delving into themes of abandonment and emotional turmoil. 00 serves as a spoken word interlude featuring Kill Kill Kill, providing a moment of reflection amidst the chaos. It's a nod to the band's influences and adds depth to the album's narrative.

Then follows 'Dežujem' (trans. I Am Raining) - the highlight of the album and a fan's favorite. Sung in Slovenian, this song is channeled through an introspective lens while the emotional intensity remains and builds up to the cathartic release before delving to another epic blast beat finale for the last 10 seconds.

Me Vidiš Kot Sem? (trans. "Do You See Me As I Am?"), this track is a raw, honest exploration of identity and self-perception. The band's ability to convey complex emotions through their music is evident here. 

Riparia Riparia closes the album on a hopeful note with "Konec Dober, Vse Dobro" (trans. All's Well That Ends Well). The track opens with interchanging spoken words before dissolving to fierce chaos. The imagery of smashing one's head on the concrete floor symbolizes a desperate attempt to escape the mental anguish. The Slovenian lines suggest a hope for a better day and the possibility of reconciliation and renewal. It's a cathartic release and a perfect way to close the album

"Riparia riparia" is a strong debut that captures the essence of late '90s and early '00s emo and screamo, while also carving out its own niche in the genre. Zbrucz's ability to balance intensity with emotion, and chaos with melody, makes this album a compelling listen. The band's influences are clear, but they manage to bring something fresh to the table, making "Riparia riparia" a noteworthy addition to the contemporary emo/screamo scene. For fans of the genre, Zbrucz is definitely a band to watch.

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Zbrucz je četvoročlani bend iz Maribora, Slovenija, formiran 2023. godine. Njihov prvi lo-fi demo "00" objavljen je u avgustu iste godine, nakon čega su usledile i turneje. Ove godine samostalno izdaju svoj debitantski album "Riparia riparia", miksovan i masterovan od strane Matica Medje, uz upečatljiv artwork Klemna Seliškara.

Album u svojih 20 minuta donosi osvežavajući omaž emo/screamo zvuku kasnih devedesetih i ranih dvehiljaditih, uz povremene emoviolence blast beatove, često podsećajući na bendove poput The Worst Is Yet To Come, Tarkovsky, Dollores, Mahria, Hiretsukan i Heart On My Sleeve. Materijal je izvođen na engleskom i slovenačkom jeziku.

Album otvara "2020 by Shin Guard", intenzivan nalet energije koji kombinuje sirove vokale i razrađene gitarske deonice. Pesma postavlja ton celog izdanja, pokazujući sposobnost benda da spoji agresiju i melodiju, uz poetske i ispovedne tekstove. "Forty Minute Train Delay" hvata frustraciju i anksioznost savremenog života, dok "Flood of Unloved" zalazi u teme napuštenosti i emotivnog rasula. "00" funkcioniše kao spoken word interludijum sa Kill Kill Kill, pružajući trenutak predaha i refleksije usred haosa.

Sledi "Dežujem" - vrhunac albuma i favorit publike. Pevana na slovenačkom, pesma je introspektivna, ali zadržava snažan emotivni naboj koji kulminira u katarzičnom oslobađanju, pre nego što se završi kratkim, ali eksplozivnim blast beat finalom.

"Me vidiš kot sem?" donosi sirovu i iskrenu refleksiju identiteta i samopercepcije, još jednom potvrđujući sposobnost benda da kompleksne emocije prenese kroz muziku.

Album se zatvara pesmom "Konec dober, vse dobro", koja nosi notu nade. Počinje smenjivanjem spoken word deonica, da bi se potom raspala u haotičan klimaks. Slika razbijanja glave o beton simbolizuje očajnički pokušaj bekstva od unutrašnje patnje, dok stihovi na slovenačkom nagoveštavaju mogućnost pomirenja i novog početka.

"Riparia riparia" je snažan debi koji hvata suštinu emo i screamo zvuka kasnih devedesetih i ranih dvehiljaditih, ali istovremeno gradi sopstveni identitet. Zbrucz uspešno balansiraju između intenziteta i emocije, haosa i melodije, čineći ovaj album izuzetno zanimljivim slušanjem. Uticaji su jasni, ali bend uspeva da ponudi nešto sveže - što ovo izdanje čini značajnim doprinosom savremenoj emo/screamo sceni.

A split featuring new material from Zbrucz (Maribor, Slovenia) and Falesia (Trieste, Italy) is nothing short of a riveting and intense release.

A year and a half after their debut, Zbrucz return with two tracks that lean into a darker, more somber direction, drawing closer to neocrust and post-metal. The sound is harsher, more abrasive, and emotionally devastating. Delivered in both Slovenian and English, it feels as if they’ve taken cues from Mališa Bahat and pushed them further into heavier territory.

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Split sa novim materijalom bendova Zbrucz (Maribor, Slovenija) i Falesia (Trst, Italija) predstavlja izuzetno intenzivno i upečatljivo izdanje.

Godinu i po dana nakon debija, Zbrucz se vraćaju sa dve pesme koje naginju mračnijem i sumornijem izrazu, približavajući se neocrustu i post-metalu. Zvuk je grublji, abrazivniji i emotivno razarajući. Izvedeno na slovenačkom i engleskom, deluje kao da su preuzeli uticaje Mališa Bahata i odveli ih još dalje u teži, masivniji zvuk.

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