Location: Belgrade, Serbia
Year active: 2024 - Current
Members: Nemanja Ciric, Pavle Trifunovic, Dimitrije Djuric, Marko Rakic
Related bands: Eaglehaslanded, New Church, New Way Kids, Radost-Stradanje, Sv. Pseta
FFO: Mohinder, Embrace, Unwound, Glassjaw, The Jonbenet, Antioch Arrow, Unsane
Early October, a friend of mine - Nugazing - sent me a IG teaser for their Changeover's 2024 Festival, the one which i was invited to perform at the time. While i wanted to attend to their gig, i was unable to due to scheduling conflicts. Then during mid-late October, i finally got the chance to see them as one of the openers for the stoner rock band Constellation in SKC, and let me tell you: their performance is one i would consider the wildest i've ever seen and that is enough to compel me into writing about them. What surprises me more is that Nemanja (of Sv. Pseta and Eaglehaslanded) is the vocalist of the band, further his pivotal role in the Belgrade punk scene.
Suplexx (named after an offensive move used in wrestling sports) is a newly formed 4-piece post-hardcore/emo band hailing from Belgrade, Serbia, straight out of 2024. When describing their music, they claim themselves to be 'inappropriate violent act' due to their wild, often unpredictable nature of their stage presence and their - at times - experimental songwritings. To this day, they've released two EP's: 'SWEET CHIN MUSIC' and 'RUDE AWAKENING'.
Starting with their debut EP 'SWEET CHIN MUSIC', Suplexx kicks off with their two old-school sounding emo/post-hardcore tracks, spiced up with math rock and borders on metalcore a bit. Dissonant, punky riffs, groovy bass line, desperate yelps all held together with steady, balanced drums. These two tracks help sandwich 'intermezzore', an experimental electro-acoustic track clocking around 6 minutes.
In 2026, Suplexx hit the road in support of their debut LP FUCK LIFE, a short, under-20-minute burst of metallic post-hardcore. The record runs through nine tracks, broken up by three noisy industrial interludes from Monosiped, and rarely slows down. There’s a clear lineage here, something in the vein of Unsane or Antioch Arrow, but it leans more into chaos than weight. What really carries it is the vocal delivery, which stays locked into this constant state of self-hatred and internal tension, barely letting up until a brief, almost out-of-nowhere thrash-style flourish at the very end.


