Monday, November 9, 2026

12 ESSENTIAL EMO/SCREAMO CROATIAN BANDS TO LOOK INTO

Following Slovenia, Croatia also played a significant role in the development of the former Yugoslav underground punk scene, particularly as the country entered a period of political upheaval and eventual independence in the early 1990s.

From the early hardcore and emocore beginnings of the 1990s, through the emergence of Croatian screamo in the early 2000s, to a new generation of bands in the 2020s, here are ten essential Croatian emo and screamo acts you might have missed.


1. MY LIFE / MY DREAMS

Active: 1993
Location: Pazin
Genres: hardcore punk / post-hardcore / emo (?)
Essential release: 1993 demo





An obscure early-1990s project from Pazin, My Life / My Dreams belongs to the formative years of the Croatian hardcore underground. Rather than fitting neatly into the straight-edge hardcore mould, their sound reportedly drew closer to the angular, melodic hardcore of Fugazi and Pegboy. Their lyrics touched upon drug-free living, personal freedom and animal rights, reflecting the political and ethical concerns of the contemporary hardcore scene.

Although their recorded output appears to have been limited to a single demo, their place in this early underground history makes them worth revisiting.





2. BRIGHTNESS

Active: Mid to late 90's
Location: Zagreb
Genres: grunge/emocore
Essential release: Beat The Clock (1995)





Next up is Brightness, a short-lived trio from Zagreb whose entire recorded output consists of a four-track promotional demo, Beat the Clock, released in 1995. Combining grunge sensibilities with emocore, the demo offers a brief glimpse into another lesser-known corner of Croatia's 1990s underground. A small but worthwhile piece of history for anyone interested in the early development of the regional emo scene.







3. CLEAN

Active: 1998–2000
Location: Zagreb
Genres: emocore
Essential release: Discography (2000)




One of the defining names of Zagreb's late-1990s emotional hardcore underground, Clean emerged with an unapologetically straight-edge identity, combining the ethics of hardcore punk with the intensity and emotional expression of emocore.

The band's importance extends beyond its relatively short existence. Its members would go on to form Nikad, taking some of the emotional hardcore foundations of Clean into a considerably more chaotic and abrasive direction. In that sense, Clean represents an important link between the earlier Croatian hardcore underground and the emergence of local screamo.





4. NIKAD

Active: 2001–2002
Location: Zagreb
Genres: screamo
Essential release: S/T (2002)






Emerging from the ashes of Clean, Zagreb's Nikad pushed emotional hardcore into considerably more frantic territory. Drawing comparisons to American acts like Orchid and Yaphet Kotto, alongside the Italian screamo underground represented by With Love and La Quiete, the band combined chaotic songwriting, powerviolence-inspired aggression and emotionally charged vocals.

Despite their relatively short existence, Nikad became one of the most significant early Croatian screamo bands, attracting attention from the international DIY underground. Their recorded output includes a demo, a self-titled release, In The Year To Come, and a split with Germany's Children of Fall, alongside various compilation appearances. Their inclusion on Postcards from the Heartland remains a notable document of the period.

Their reputation eventually reached Ebullition Records founder Kent McClard, who reportedly described them as "the best band you've never heard of."







5. PATH OF CESTODA

Active: 2016-?
Location: Karlovac/Duga Resa
Genres: screamo/post-hardcore
Essential release: Love Is a Death of Heart
 (2019)




Formed in 2016, Path of Cestoda play a melodic blend of post-hardcore and screamo, with occasional metalcore touches. Drawing comparisons to Amanda Woodward, Chaviré, Birds in Row and Saetia, their sound favours nuanced songwriting and melodic passages over outright explosiveness, without sacrificing intensity.





6. ANALENA

Active: 1997 - active
Location: Croatia/Slovenia
Genres: screamo / post-hardcore
Essential release: Carbon Based (2004)




One of the most recognisable names in the former Yugoslav underground, Analena formed in Zagreb in 1997, bringing together musicians from Croatia and Slovenia. Their sound resists straightforward categorisation, moving between post-hardcore, screamo, noise rock and post-punk, with an emphasis on abrasive guitar interplay, bittersweet melodies and Ana Franjić's distinctive vocals.

Throughout their existence, Analena toured extensively across Europe, becoming one of the region's most prominent independent hardcore exports. Their discography includes two full-length albums, Carbon Based (2004) and Inconstantinopolis (2009), alongside numerous splits and shorter releases.

More than simply a pioneering screamo band, Analena helped establish an international presence for the Croatian and Slovenian underground.






7. REACTOR

Active: Mid to late 90s
Location: Zagreb
Genres: post-hardcore / noise rock / midwest emo
Essential release: Blankets, Pillows and Sheets (2009)






One of Zagreb's earlier alternative underground acts, Reactor explored a musical territory stretching from noisy, angular post-hardcore to more melodic and introspective indie rock. Their sound occasionally recalls the American underground of Jawbox, Hüsker Dü and the more subdued side of Midwest emo.

Their recorded output includes two earlier albums and a split with Bosnia and Herzegovina's Pessimistic Lines, eventually collected on Blankets, Pillows and Sheets in 2009. Though often overlooked in discussions of Croatian emo history, Reactor represents another strand of the country's evolving emotional hardcore and alternative underground.






8. MALIŠA BAHAT

Active: 2015-present
Location: Varaždin
Genres: screamo / mathcore
Essential release: Lovers. Loners. Losers. (2024)



Emerging from the underground scenes of Varaždin and Koprivnica, Mališa Bahat formed in 2015 and quickly established themselves as one of Croatia's more active contemporary screamo acts. Their early releases, including the EP Moments We're Lost In, were followed by European tours and splits with other underground bands, including Lack of Soul and Zmar.

Their 2024 full-length Lovers. Loners. Losers. marked a further development in their songwriting, incorporating more nuanced arrangements and melodic passages without abandoning the intensity of their earlier material. Combining the rawness of traditional screamo with a more considered approach to dynamics, Mališa Bahat have become a recognisable presence in the contemporary European DIY underground.


 

9. KALEIDO

Active: 2021-present
Location: Zagreb
Genres: Indie / Jazz Fusion / Post-punk / Midwest emo
Essential release: Čiji je ovo pas? (2025)




Kaleido are a Zagreb-based quintet whose sound brings together indie rock, Midwest emo, restrained post-punk dynamics and understated jazz influences. They introduced themselves with the single "Snivaš" in 2021, followed by their debut EP Ja umirem ovdje in 2022, which attracted attention within the Croatian independent music scene.

Their self-recorded and self-released full-length Čiji je ovo pas? arrived in 2025, expanding on their earlier material with patient arrangements, intricate instrumental interplay and a gradual accumulation of emotional weight. Rather than relying on explosive climaxes, Kaleido favour subtle shifts in atmosphere and melody.






10. THIS DAY WILL BURN

Active: 2003–2018
Location: Osijek
Genres: emo / screamo / post-hardcore
Essential release: How The Mighty Have Fallen (2005)


 



Emerging from Osijek in the early 2000s, This Day Will Burn became one of the longer-running Croatian acts operating within the emo and screamo underground. Across several releases, the band developed a sound that balanced melodic emocore passages with aggressive post-hardcore and screamo influences.

Drawing comparisons to American acts such as Tipping Canoe, Car vs. Driver and Life at These Speeds, their music combines emotionally charged vocals, dynamic guitar work and an energetic approach to songwriting. Their longevity and substantial recorded output make them an important part of the country's post-2000 underground history.







11. THE FAREWELL REASON / DEAD DOG SUMMER

Active: 2001–2011 / 2020-present
Location: Čakovec
Genres: emo / post-hardcore
Essential release: split with Outré (2002)
 / Building Again (2025)





The Farewell Reason emerged from Čakovec in 2001, operating within the emotionally charged hardcore underground of the early 2000s. Their early recordings captured the raw, energetic approach associated with the period, combining melodic hardcore structures with screamed vocals and an unmistakably DIY sensibility.

Following their original decade-long run, members of the band eventually returned to music through Dead Dog Summer, formed at the end of 2020. While the newer project retains much of the emotional intensity of its predecessors, its sound incorporates a more developed and polished post-hardcore approach, as evident in both versions of 'Coward In Me'

The two projects represent different chapters of the same local musical community, with connections to other Croatian underground bands including Nikad and Senata Fox.


 





12. EEYORE

Active: 2026–present
Location: Zagreb
Genres: screamo
Essential release: is my ache known to god? (2026)




One of the newer additions to Croatia's screamo underground, Eeyore are a Zagreb-based trio who began performing live in 2026. Named after the melancholic Winnie-the-Pooh character, the band made their first recorded appearance with is my ache known to god?, establishing an early identity built around the tension between restrained passages and sudden emotional release.

The group has already shared stages with several contemporary regional acts, including Yöu, Hostija, O-Sixfemale, Guinea Freeze, Kijamet and Mališa Bahat. Their appearance on gledaju nas kao ptice, the Dekonstrukcija Yugoviolence compilation, also places them among the newer generation of musicians contributing to the regional DIY underground.







HONORABLE MENTIONS:

Breed/Anita/Pale - the triad of early Split emocore.
Latest - Alt. rock-post/hardcore connected to the early Croatian emocore underground.
Aimless Arrow  - screamo/neocrust from Pula
Uzmi Ruke - 2000s post-hardcore/emo from Varaždin
Cripple and Casino - post-hardcore/noise rock
Nevers - Zagreb Midwest emo
Kraj programa - emo-pop/pop-punk
Sve Ptičice Izgore - melodic screamo/hardcore
Lotus - short-lived emo from Slavonski Brod, featuring members of Kriva Istina/Faak Am See

Thursday, October 29, 2026

AKANTI.

Location: Belgrade, Serbia

Year active: 2023–present

Member: Marko Djukanović (guitar, bass, drums, vocals)

Related bands: Anicija, Champion of the Doubters, Kadar, Sivo, So Long Last Year

FFO: Glassjaw, Deftones, Far Apart, Parannoul, Q and Not U




AKANTI. is one of the musical projects helmed by Marko Đukanović, who has been active in Belgrade's DIY underground since the 2010s. AKANTI. first emerged with its self-titled debut in 2023, incorporating acoustic indie-folk with experimental ambient and noise compositions, followed by 2025's Dok si tu and this year's Ina.  A couple months later, AKANTI. would take another turn with Postoje ulice iznad... srećno!, steering the project in a new direction while retaining its raw lyricism, sung entirely in Serbian.

The opening track, “u tvojoj bašti,” draws the listener in with a glitchy ambient introduction before erupting into sequences of noisy, math-rock passages, all wrapped in lo-fi production and mellow vocals. Postoje ulice iznad... srećno embraces an energetic strain of post-hardcore, flavoured with Midwest emo melancholy and tinged with screamo's characteristic sense of panic. Marko's vocals range from Palumbo-esque crooning to outright, throat-ripping screams.

The album doesn't stick to a single formula, though. Tracks such as “ove misle se mere u kilometrima” and “zato što si u pravu a to nikad nisam bio ja” lean towards a more melodic yet bittersweet strain of alternative rock. Elsewhere, “u duhu duha” and “do polja gde samo mermer sija” double down on chugging metalcore riffs and dissonant guitars, channelling a sense of panic and desperation, including two '#' tracks serving as brief acoustic interludes sandwiched between the tracks.

What makes Postoje ulice iznad... srećno particularly interesting is how naturally these contrasting elements coexist. The record shifts between restrained melancholy and abrasive outbursts without losing its sense of direction, allowing the quieter passages to carry as much emotional weight as the heavier ones. Rather than treating its influences as a fixed template, AKANTI. draws from different corners of the alternative underground to shape something distinctly its own. With its unfiltered Serbian lyrics and restless approach to songwriting, the album marks another compelling chapter in Marko's ongoing musical exploration.


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AKANTI. je jedan od muzičkih projekata iza kojih stoji Marko Đukanović, aktivan na beogradskoj DIY underground sceni još od 2010-ih. Projekat se prvi put predstavio istoimenim debijem 2023. godine, kombinujući akustični indie folk sa eksperimentalnim ambijentom i noise kompozicijama. Usledilo je izdanje Dok si tu iz 2025. godine i Ina iz 2026. godine. Par meseci kasnije, AKANTI. je ponovo promenio pravac izdanjem Postoje ulice iznad... srećno!, koje donosi novi zvučni zaokret, zadržavajući pritom sirovu liriku i tekstove u potpunosti na srpskom jeziku.

Uvodna numera „u tvojoj bašti“ uvlači slušaoca glitchy ambijentalnim uvodom, pre nego što eksplodira u niz bučnih, math-rock pasaža, sve to obavijeno lo-fi produkcijom i smirenim vokalima. Postoje ulice iznad... srećno prihvata energičniju stranu post-hardcorea, obojenu melanholijom midwest emo zvuka i prožetu karakterističnim osećajem panike koji donosi screamo. Markov vokal kreće se od pevušenja u stilu Palumba do sirovih krikova koji kidaju grlo.

Album se, međutim, ne drži jedne formule. Pesme poput „ove misle se mere u kilometrima“ i „zato što si u pravu a to nikad nisam bio ja“ naginju melodičnijem, ali i gorko-slatkom izrazu alternativnog roka. S druge strane, „u duhu duha“ i „do polja gde samo mermer sija“ pojačavaju metalcore rifove i disonantne gitare, stvarajući osećaj panike i očaja. Između pesama nalaze se i dve numere označene simbolom „#“, koje služe kao kratki akustični interludijumi.

Ono što Postoje ulice iznad... srećno! čini posebno zanimljivim jeste prirodnost sa kojom ovi kontrastni elementi funkcionišu zajedno. Album se kreće između suzdržane melanholije i abrazivnih izleta, a da pritom ne gubi osećaj za pravac, dopuštajući tišim pasažima da nose jednaku emotivnu težinu kao i oni žešći. Umesto da svoje uticaje tretira kao unapred zadat obrazac, AKANTI. crpi inspiraciju iz različitih delova alternativnog undergrounda kako bi oblikovao zvuk koji je izrazito njegov. Sa nefiltriranim tekstovima na srpskom i nemirnim pristupom pisanju pesama, ovaj album predstavlja još jedno zanimljivo poglavlje u Markovom kontinuiranom muzičkom istraživanju.



Wednesday, September 30, 2026

10 ESSENTIAL SLOVENIAN EMO/SCREAMO BANDS TO LOOK INTO

I've been writing mostly New Band and Old Band entries for a while now, and it can be a bit much sometimes. Researching each band every week takes quite a lot of time, and lately I've barely had enough time to keep up with it. So, for a change, I decided to do something a little different.

Slovenia seemed like the perfect place to start. The country - particularly the Nova Gorica, Ajdovščina and Ljubljana scenes - has played an important role in the development of emo, screamo and related hardcore styles in the ex-Yugoslav region. From the late-'90s emocore of Man in the Shadow and Entreat. to the DIY screamo of Zbrucz and the shoegaze-tinged emo of Lars From Norway, here's a selection of ten Slovenian bands worth looking into.


1. ALL FOR NOTHING

Active: late 90's
Location: Nova Gorica, Slovenia
Genres: emocore
Essential release: Nova Gorica Vol. 1

A very obscure Nova Gorica project whose surviving recordings appear to be limited to compilation material. They were part of the city's late-1990s hardcore underground, although little information about the band itself appears to have survived.




2. MAN IN THE SHADOW

Active: 1997–2000
Location: Nova Gorica, Slovenia
Genres: emocore
Essential release: Discography




One of the earliest and most important documented starting points for emo/emocore in the ex-Yugoslav underground. During their short-lived activity, they released two 7” records and a demo tape, along with appearances on several compilations, before breaking up in 2000. The records were all packaged into the Discography release, which is available on Bandcamp. After the split, members went on to play in bands such as Analena, Elodea, Entreat., and Iamdisease, among others. A full discography was released by Choose Life Records in 2001. The band reunited once more to play their final show at Mostovna in 2005.





3. ENTREAT.

Active: 1997–2009
Location: Nova Gorica, Slovenia
Genres: emo / metalcore
Essential release: Demo (1999)




Also from Nova Gorica, Entreat. infused emocore with old-school metalcore on their early releases, describing themselves at the time as an “emo-metal” band. Their sound later moved further toward melodic death metal.





4. DREAMWALK

Active: 1999 - 2015, 2020
Location: Ljubljana, Slovenia
Genres: emo-pop / post-hardcore
Essential release: Three Days Later (2004)




One of the Slovenian emo-adjacent bands that achieved significant mainstream and international exposure during the Y2K era. Formed in 1999, Dreamwalk combined emocore, pop punk, neo-grunge and alternative rock, signing with Multimedia Records in 2000 and releasing their debut album through a label licensed by Universal Music Group. Their second album, Three Days Later, later circulated widely online, reportedly reaching around 200,000 downloads through Download.com.





5. THE LOVE TYPEWRITER

Active: 2001-2003
Location: Ajdovščina, Slovenia
Genres: midwest emo
Essential release: S/T (2001)




Founded by members of UpJohn and Cloudland, this short-lived Ajdovščina band released their only self-titled album in 2001 before breaking up soon afterward. Their eight tracks combine raw emocore with indie rock, moving between slower passages and more punk-oriented material.






6. STEPA

Active: 2020
Location: Novo Mesto, Slovenia
Genres: emoviolence / mathcore / grind
Essential release: Stepa (2020)


Although they were active only briefly, Stepa's output is remarkable for how much intensity they managed to compress into such a short runtime. Their self-titled release contains a series of short, unpredictable tracks drawing from emoviolence, mathcore and grindcore, with a total runtime of around 15 minutes.



 

7. MELETE

Active: 2008-2011
Location: Slovenia
Genres: neocrust / screamo / atmospheric sludge metal
Essential release: Melete 7" (2009)




Formed out of the remnants of Akedeia, Melete played a raw, dark and atmospheric form of neo-crust, incorporating melodic and dynamic tensions borrowed from screamo, sudden bursts of grindcore, and an atmospheric tinge of post-metal. 

For two years, they toured extensively, sharing the stage with bands such as Reflections of Internal Rain, Shades of Grey, Kansky and The Plague Mass. During that time, they released a three-track 7" EP and a Tour EP. Then they broke up in 2011.




8. ZBRUCZ

Active: 2023–2026
Location: Maribor, Slovenia
Genres: screamo
Essential release: Riparia Riparia (2024)




One of the more recent additions to the Slovenian screamo scene, Zbrucz emerged from the Maribor area in the 2020s. Their 2024 EP Riparia riparia was recorded DIY in a shelter and a living room, combining late-90s/early-2000s screamo with elements of emoviolence and post-metal. Their short run included performances both in Slovenia and abroad, including an appearance at Italy's Third Impact screamo festival. The band broke up in 2026.






9. ICARUS DOWN

Active: 2004–?
Location: Trbovlje, Slovenia
Genres: emo / post-hardcore / alt-metal
Essential release: Contortions, Mood Swings And The Inevitable Decay Of Relationships (2007)




Another Y2K-era band that occupied a more accessible end of the Slovenian emo/post-hardcore spectrum. In the vein of Deftones and Glassjaw, Icarus Down is interested in something more than making it pop - adding metal, electronica and other unconventional bits to their mix. 



 



10. LARS FROM NORWAY

Active: 2024–present
Location: Ljubljana, Slovenia
Genres: emo / post-hardcore / shoegaze
Essential release: d(emo) tejp (2025)




Lars from Norway is an emocore/shoegaze band formed in Ljubljana, Slovenia. They released their first demo single in November 2024, followed by a demo tape (stylized as D(emo) Tejp) months later - notably recorded on a phone. 

Previously played post-hardcore, the band transitions into the shoegaze territory. D(emo) Tejp, for instance, shows the blurry, reverb-soaked fuzz gives the songs a dreamy, ethereal mood - complete with alternating dual vocals and the occasional harsh shout. It’s raw, lo-fi, and imperfect, but it’s also the first glimpse of the identity the band seems to be carving out for themselves.






Honorable mentions

The ten bands featured above are only a starting point. Slovenia has a much wider history of emo, screamo and related hardcore, and there are plenty more bands worth exploring. Here are a few additional recommendations for anyone looking to dig deeper into the scene.

This section was added in October 2026 as an update to the original feature.


Akedeia - Screamo; Only Sick Music Makes Money Today

Deber - Post-metal/screamo; Midsummer

Reset - Another emocore from Nova Gorica

Paperplanecrash - Midwest emo

sockholes - Midwest emo/twinkle daddies from Koper

stranded in dog city - Recent skramz from Ljubljana

Up John - Short-lived pop-punk/emocore from Ajdovščina

With Engine Heart - Slovenian screamo with a short discography

Curse of Instinct - Metalcore/emo from Maribor

Polska Malca - post-hardcore/experimental/math rock act from Posavje

Monday, September 21, 2026

MELETE

Location: Slovenia

Year active: 2008 - 2011

Members: Jaka (guitar, vocals), Luka (bass, vocals), Andrej (drums, vocals)

Related bands: Akedeia, Bogdan, Elodea, Human Host Body, Kripl, Leechfeast, Paperplanecrash

FFO: Ekkaia, Fall of Efrafa, His Hero Is Gone, Tragedy, Supine, Reflections of Internal Rain, One Eyed God Prophecy



It's been a while since I've covered Paperplanecrash and Akedeia for this blog. After getting in touch with their members, I've ended up with a lot more material where that came from, and Melete has been on my queue for a while.

Melete was formed in Slovenia, bringing together members from different places. For two years, they toured extensively, sharing the stage with bands such as Reflections of Internal Rain, Shades of Grey, Kansky and The Plague Mass. During that time, they released a three-track 7" EP and a Tour EP, the latter made specifically for a four-day mini-tour in 2009. In 2011, they announced their breakup after playing their final show alongside Baka Yaro and Tragedy at Gromka in Metelkova.

Across seven complete tracks and roughly 23 minutes of material, Melete played a raw, dark and atmospheric form of neo-crust, incorporating melodic and dynamic tensions borrowed from screamo (Bizniscore, Sungaze), sudden bursts of grindcore (New Kids, Old Guards) and an atmospheric tinge of post-metal.

What stood out to me is that Melete weren't afraid to step outside their usual punk formula and showed a real willingness to experiment. A few tracks particularly deserve a mention. “Failure Is A Design” opens with quiet guitars and somber violin before crashing down into distorted thunder and growling vocals. Another five-minute track, “Rhodonea,” begins with warming-up drums that eventually strike into another crust ambush, only to settle into group chants midway through, fading into silence. After roughly thirty seconds, glitchy ambient sounds emerge before the band resumes its chanting over a lone guitar, eventually ending in silence once again.

For such a short-lived project, Melete managed to pack a surprising amount of ideas into a relatively small discography. Their songs rarely stay confined to one particular formula, instead shifting between aggression, atmosphere, melody and experimentation without losing the rawness at the core of their sound.


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Prošlo je neko vreme otkako sam za ovaj blog pisao o bendovima Paperplanecrash i Akedeia. Nakon što sam stupio u kontakt sa njihovim članovima, ispostavilo se da odatle imam još mnogo materijala, a Melete su već neko vreme na mojoj listi za obradu.

Melete su osnovani u Sloveniji, okupivši članove iz različitih mesta. Tokom dve godine aktivnog rada intenzivno su koncertirali, deleći binu sa bendovima kao što su Reflections of Internal Rain, Shades of Grey, Kansky i The Plague Mass. Za to vreme objavili su 7" EP sa tri pesme i Tour EP, koji je napravljen posebno za četvorodnevnu mini-turneju 2009. godine. Godine 2011. najavili su raspad nakon što su odsvirali poslednji koncert zajedno sa bendovima Baka Yaro i Tragedy u Gromki, u Metelkovi.

Kroz sedam kompletnih pesama i oko 23 minuta materijala, Melete su svirali sirovu, mračnu i atmosferičnu formu neocrusta, uključujući melodične i dinamične tenzije preuzete iz screama (Bizniscore, Sungaze), iznenadne nalete grindcorea (New Kids, Old Guards) i atmosferični prizvuk post-metala.

Ono što mi je posebno zapalo za oko jeste to što Melete nisu imali problem da izađu iz svoje uobičajene punk formule i pokazali su iskrenu spremnost za eksperimentisanje. Nekoliko pesama posebno vredi pomenuti. „Failure Is A Design“ počinje tihim gitarama i setnom violinom, pre nego što se obruši u distorziran grom i režeće vokale. Još jedna petominutna pesma, „Rhodonea“, počinje bubnjevima koji deluju kao zagrevanje, da bi se na kraju pretvorili u novi crust napad, nakon čega se na polovini pesme sve smiruje uz grupno skandiranje koje postepeno nestaje u tišini. Posle otprilike trideset sekundi pojavljuju se glitchy ambijentalni zvuci, nakon čega bend ponovo nastavlja sa skandiranjem preko usamljene gitare, da bi se pesma na kraju još jednom završila u tišini.

Za tako kratkotrajan projekat, Melete su uspeli da upakuju iznenađujuću količinu ideja u relativno malu diskografiju. Njihove pesme se retko zadržavaju u okviru jedne određene formule, već prelaze između agresije, atmosfere, melodije i eksperimentisanja, a da pritom ne gube sirovost koja je u srži njihovog zvuka.