Saturday, April 26, 2025

ZOMBIE ANIMAL

Location: Belgrade, Serbia

Year active: 1999 - ?????

Members: Boris Milić, Tina Stupar

Related bands: MLEV, Mob Law, Tone

FFO: Dashboard Confessional, Senses Fail, The Starting Line, Taking Back Sunday, Pidgeon


Zombie Animal is a Belgrade-based collaborative project led by Boris Milić, founded back in 1999. Their only album, simply titled Milić, was finally released in 2006 after a lengthy recording period between 2002 and 2004. Milić handled all the instruments and arrangements, while Tina Stupar contributed most of the vocals.

The album features 13 original songs and a Senses Fail cover, spanning a total runtime of 57 minutes. Musically, Zombie Animal falls somewhere between midwest emo and alternative rock. For example, the opener "Shining Mask" begins with a gentle, warm flow before launching headfirst into pop-punk territory. Stupar’s polished vocals — perhaps a little too smooth for the rawness pop-punk usually demands, are nevertheless catchy and invite listeners to sing along.

Another standout is "Trap-free", featuring Andrija Spičanović of 36 Daggers on guest vocals. While the production does feel somewhat dated by today's standards, it fits the album’s emocore sensibility, think Jawbreaker or Ashes rather than studio-polished mainstream emo. Tracks like "This Emptiness Hangs Heavy" even flirt with dream pop textures, showing surprising versatility.

Lyrically, the album deals with existential crises, the search for identity, societal alienation, and finding ways to survive in a world full of chaos, lies, and hollow values. Interestingly, the upbeat instrumentals often contrast with the dark thematic undercurrents, giving the record an almost bittersweet feeling.

That said, the album’s lengthy runtime can drag at points, and some songs start to blur together. It's not a tight or urgent listen, unless you’re joyriding with this CD on full blast, in which case it becomes a surprisingly pleasant, nostalgic soundtrack.


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Zombie Animal je beogradski kolaborativni projekat koji je 1999. godine pokrenuo Boris Milić. Njihov jedini album, jednostavno nazvan Milić, ugledao je svetlo dana tek 2006, nakon dugotrajnog snimanja između 2002. i 2004. Milić je sam odradio sve instrumente i aranžmane, dok je vokale u najvećoj meri donela Tina Stupar.

Album broji 13 originalnih pesama i jedan cover (Senses Fail), u ukupnom trajanju od skoro sat vremena. Zvukovno, Zombie Animal se kreće negde između midwest emo-a i alternativnog rocka. Već prva stvar, Shining Mask, otvara se nežnim, toplim uvodom, da bi se potom preokrenula u pop-punk pravcu. Stuparin glas je ispeglan, možda i previše gladak za sirovost kakvu taj žanr obično traži, ali i dalje dovoljno zarazan da povuče slušaoca na pevanje.

Poseban trenutak je Trap-free, gde gostuje Andrija Spičanović iz 36 Daggers. Produkcija danas zvuči pomalo zastarelo, ali zapravo se savršeno uklapa u emocore senzibilitet – bliže Jawbreaker ili Ashes nego studijski ispoliranim emo mainstream bendovima. Na mestima, kao u This Emptiness Hangs Heavy, bend čak koketira sa dream pop teksturama, pokazujući neočekivanu širinu.

Tematski, album se bavi egzistencijalnim krizama, potragom za identitetom, osećajem otuđenja u društvu i pokušajima da se opstane u svetu prepunom haosa, laži i šupljih vrednosti. Zanimljivo je da često vedra i melodična instrumentalna podloga kontrastira sa mračnijim lirskim nitima, dajući celini neku vrstu gorko-slatkog osećaja.

Ipak, dugačak format ume da bude zamoran – pesme povremeno počinju da liče jedna na drugu, pa slušanje u kontinuitetu zna da se razvlači. Ovo nije album koji nosi snagom urgentnosti, već više soundtrack za kasnu vožnju kolima, kad pustiš CD do kraja i prepustiš se nostalgičnom vajbu.






Monday, April 14, 2025

GIG REPORT: UNABLE TO FULLY EMBRACE THIS HAPPINESS & PAGENINETYNINE @ARENA WIEN, VIENNA, AUSTRIA

YUP! You've seen it and you all know what i am coming up with. That's right! I went to see one of the classic cult screamo acts ever from Sterling, VA - pageninetynine and let me tell you: it was such a fucking blast!

The event itself was managed by Hardcore For The Losers and Generation Noir, taking place in Arena, Vienna, Austria. The band opening for them is a local emoviolence act Echelons aka. Unable to fully embrace this happiness.


It was a typically windy Monday in Vienna, slightly rainy too. As soon as I arrived by bus, I realized the venue was just an 8-minute walk away. Since doors didn't open until 8 PM, I took my sweet time wandering around the area. Truthfully, I hadn’t been to Vienna since I was about 10 or 11 years old. My only vivid memory from back then was visiting the Belvedere Castle.

Getting close to 8PM, i headed back to Arena and caught up with Dimitar of DIY Conspiracy, who was also excited to see. The doors open and the people gathered around at the merch table. They're mostly kids ranging from teens to young adults, who were eagerly discussing about both classic and contemporary screamo and sasscore.

I met up with the vocalist who was selling Echelons merch and we talked about 'Enjoy Life To This' - a 5-way split with Commuovere, Fei Lung and Te Lloraria Un Puto Rio. We agreed that it was somehow solid and it could've been so much more. He also mentioned never receiving the tapes from the labels — especially from me — which I was honestly surprised. I bought the tape and the classic pg.99 shirt (that was infamously used as a part of the 'skramz revivalist' character which haven't took off until years later). That was supposed to be it… until pg.99 absolutely floored me and I had to grab the Document #5 repress as well.


ECHELONS (FORMERLY UNABLE TO FULLY EMBRACE THIS HAPPINESS) hit the stage with some of the ferocious React With Protest influenced screamo for half an hour. Their debut 2017 album The Morning Sun & The End of the World gained a lot of traction for their lo-fi microwave production and raw, frantic energy. With that being said, their sound on stage is a bit too polished and would be better off with tight, on-the-floor squat setting. Still, their intensity and crowd interaction held strong.










PAGENINETYNINE (OFTEN STYLIZED AS PG.99) consists of nine people and they hit it off with the iconic, crushing track from Document #4, as well as all classic songs from 5, 7 and 8, having the crowdgoers let loose however they wanted. And it's not just that, it's Chris Taylor doing handstands, climbing on ceilings or crawling on the floor or Blake Midgette going off stage to get himself a can of beer is what makes it so memorable. Especially the encore where David of Echelons joins the hypnotic drumming sessions during 'By the Fireplace in White' where Chris literally gets off the stage, crawls on all fours, all around the room and into the backstage for about 5 minutes or so before the last blow.













At the end of the show, we all came out sweaty and immensely satisfied. If Garfield were there, this would’ve changed his entire opinion on Mondays :)